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Series consists of case files relating to recidivists, also known as 'habituals', also known as repeat offenders, those individuals who were convicted of a crime, released from prison, and then rearrested for a similar arrest. Case files include notes made by case workers during regular meetings with recidivists in some cases over decades. Files are arranged alphabetically by individual name but for privacy reasons file titles are limited to acronyms for this series.

The records of the John Howard Society of the Lower Mainland of British Columbia consist of the Society's administrative records and client case files and cards used to document information about individual clients. They encompass work done as a provincial society and also as a working office in the Lower Mainland.

The administrative records of the Society document all aspects of the Society's work. They are broken down into three separate series, reflecting the particular manner in which the Society operated. First, a separate series of miscellaneous records which the Society appears to have kept apart from its established file system dates from 1932 to 1988. A second series of administrative records dating from 1932 to about 1968 reflects the Society's file classification plan in use at the time (see Appendix B1 - hard-copy finding aid only). A third group of administrative records reflects a new file classification plan which replaced the earlier file system (see Appendix B2 - hard-copy finding aid only). Administrative records that have accrued to the fonds have been added to this series.

Later records demonstrate the increased activity of the society in addressing the social problems of crime, including victim assistance programs and community assessments, as well as administration of halfway houses.

Individual case files and cards provide evidence of the Society's involvement with clients on probation including repeat or 'habitual' offenders, as well as prison visits, counseling sessions and other related actions undertaken by the Society on behalf of its clients.

Records comprising this fonds are records created at the Vancouver office of the Society, and do not include records created by the various regional offices.

The fonds consists of records arising from Smythe's activities with the University of California, Berkeley; the U.S. Central Statistical Board; the U.S. Department of Labor (Wage and Hour Division); the U.S. Federal Communications Commission; his academic work; and from his various personal activities. Fonds includes correspondence, teaching materials, publications, research materials, reports, written testimony, reference material, and other records.

Collection consists of digital copies of a complete run of The Pedestal, a feminist periodical published by the Vancouver Women's Caucus and edited by the Pedestal collective. The periodical referred to itself as a women's liberation newspaper and later as a lesbian-feminist newspaper; it published non-fiction, personal stories, poetry, reviews, letters to the editor, news of the women's movement, informational resources, a dream page and a calendar of events. It was distributed to individual subscribers, women's groups and sold by members at demonstrations and political events, and was available at bookstores and other locations around Vancouver. The Pedestal engaged in debates with members and readers over homosexuality, socialism and relationships with men, and addressed political issues such as abortion, childcare, education, anti-imperialism and patriarchy.

Contributors include Liz Briemberg, Colette Connor, Deb Dubelko, Susan Dubrofsky, Pat Feindel, Barb Finlayson, Eileen Hausfather, Pat Hoffer, Nym Hughes, Beth Jankola, Sylvia Lindstrom, Judi Morton, Jean Rands, Anne Roberts, Diane Schrenk, Sharon Stevenson, Marcy Toms and Dodie Weppler.

Volume VI, Numbers 3 and 4 were published under the title Women Can.

Sub-series contains research and project files for Derek Beaulieu’s MA thesis on the TISH poets, and annotated drafts of his PhD dissertation on concrete poetry and conceptual writing.

Series consists of print works on paper, photographic documentation, paintings, drawings and linocuts used in the preparation of artworks and chapbooks. Series is divided into the following four sub-series: Works on paper (1996–2005), Linocuts [before 2009], Photographs documenting artworks (1991–[before 2009]), and Artworks by others (2002–[before 2013]).

Series consists of notebooks, sketchbooks and daytimers used by Derek Beaulieu. Books contain sketches, notes, itineraries, lists and other material.

Series consists of Beaulieu’s resume, work assessments and tax returns filed by Derek Beaulieu from 1994 to 2007.

Fonds consists of records created by Carole Rubin while working on her books How to Get Your Lawn off Grass and How to Get Your Lawn and Garden off Drugs . Records include correspondence, manuscripts, and research on pesticide use.

Fonds consists of the literary papers of author Keith Harrison. Records include research materials, correspondence, manuscripts, reviews, working notes, and contracts.

Sub-series consists of files of editorial correspondence, submissions and marked proofs of housepress publications.

Sub-series includes records generated from the administration of housepress and includes the housepress minute book, permission files, ISBN log, grant application, correspondence, one photograph and publicity clippings.

Sub-series consists of records documenting the financial operation of housepress, including invoices, bank statements, bank books, check stubs, notices of assessment, and receipts.

Sub-series consists of electronic backups of housepress’s administrative and manuscript files.

Sub-series consists of the housepress sign, as well as linocuts, stamps and a seal used in the production of housepress chapbooks.

Series consists of the chapbooks and editorial records generated from the publishing activity of No press since its founding. Series contains the following sub-series: No press publications (2005–2015); Editorial files (2005–2014).

Fonds consists of master videotapes and notes from two film projects: documentary portraits of Gerry Gilbert (The Big Break), taped in 1988, and Voice: Roy Kiyooka, taped in 1991.

Collection consists of photographs and an accompanying notebook documenting Chambers’ and the BCMC’s pioneering mountaineering activities and exploration during the period 1947 to 1968. Unlike the Rocky Mountains of Canada, the Coast Mountains were late in being explored by mountaineers. During the period recorded in these photographs, much of the region remained little visited, and the exploration lasted into the 1980s. As a result, the photographic record of mountain exploration in the Coast Mountain region is relatively poor and fragmentary, especially for the period from the late 1930s through the 1950s. The Chambers collection fills several gaps in this record.

Chambers was meticulous in recording the details of each image he captured with his Zeiss Ikon camera – every slide is identified with the location, names of individuals, and the date. An accompanying notebook lists the photographs taken on each roll of film and includes additional technical information. Further documentation of many of these trips is available in BCMC newsletters and issues of the Canadian Alpine Journal.

Fonds consists of the literary papers of BC writer Anne Cameron. Records include manuscripts, ephemera, photographs, news clippings, correspondence, periodicals, notebooks, and floppy disks.

Fonds consists of research and moving image records generated and used in the production of the documentary REED: the life and works of Roy Kiyooka, produced and directed by Fumiko Kiyooka.

The Pacific Socialist Education Association’s Pacific Tribune Photograph Collection comprises over 40,000 35-mm images taken for the weekly Vancouver labour newspaper Pacific Tribune. The images cover a twenty-year period, from 1972 to 1992, one of the most active periods in British Columbia’s labour history.
Included in the collection are images from some of the most tumultuous events involving British Columbia’s labour movements:

• the province-wide campaign against insurance rate increases introduced by the new Social Credit government in 1976
• the opposition to federal wage controls that culminated in a one-day national work stoppage in 1976
• the historic Solidarity movement in 1983
• labour’s campaign — that also included a one-day work stoppage in 1987 — against government legislation that severely curtailed the right to organize unions and bargain collectively

The collection is also a rich source of images from political and other social movements, including:

• rallies and campaigns for human rights
• internationally recognized Vancouver walks for peace during the mid-1980s
• anti-poverty and housing movements
• womens' rights
• First Nations' movements
• environmental campaigns

Fonds primarily contains examples of printed material created by the Margison Brothers Printers from 1959-1999. The fonds also contains some business records, including a cash book and sales tax information, as well as various printing-related publications. The fonds is divided into two series: Series 1. Printing Examples and Business Records, and Series 2. Miscellaneous Publications.

Fonds consists of scrapbooks, containing newspaper clippings, press releases, campaign materials, minutes, correspondence, programs and song lyrics, created by Gargrave while he was an MLA in Mackenzie, and when he ran for Mayor of Vancouver in 1970 as a representative of the NDP civic party.

Collection consists of diaries, photographs, a passport, correspondence and an award issued to Allan Grant from the Saskatchewan Wheat Pool in 1974.

Series consists of photocopies and original clippings of newspaper articles and research notes. Clippings are from primarily English-Canadian and Indo-Canadian publications.

The series documents Lissel as a handmade papermaker and includes drafts of TOPOS and paste paper samples for TOPOS. The series is arranged in chronological order.

Fonds consists of 22 linocut blocks created by Bev Leech in 1961, as a senior thesis project at the Vancouver School of Art (now Emily Carr University of Art and Design) to produce the book, A Glossary of Typographical Terms by Simon Oliver.

Series consists of records relating to Delany's tenure as chair of the New Democratic Party's subcommittee on advanced education policy.

Series contains notes, minutes, correspondence and reports.

Fonds consists of records relating to the organization and activities of the Sons of Scotland Benevolent Association, particularly District No. 16 (British Columbia), and several of its subordinate camps, including Glamis Camp No. 210, Glengarry Camp No. 212, Lord Tweedsmuir Camp No. 209, Murray Camp No. 215, and Royal Scot Camp No. 172. Activities, events, and topics documented include the rules, rituals, and organization of the Association; the founding and development of some of the subordinate camps; meetings, activities, events, finances, and membership of District No. 16, its subordinate camps and, to a lesser degree, the Grand Camp; and correspondence and interaction among subordinate camps, as well as between subordinate camps, District No. 16, and the Grand Camp.

Records include minutes, minute books, and related papers; financial ledgers, cash books, financial statements, and financial reports; record books and note books; correspondence, reports, newsletters, and directories; constitutions and bylaws; lists; and programmes and promotional material.

The fonds consists of three notebooks that pertain to the negotiation of a first contract between AUCE Local 2 and the University, negotiation for subsequent contracts, the strike of 1979, and the formation of a teaching assistant's union. Also includes four photographs and a t-shirt.