Showing 2157 results

The fonds consists of press releases, clippings, typescripts of speeches, photographs, and other material.

Fonds consists of records reflecting W. Randle Iredale's contribution to the architecture of Simon Fraser University. Records reflect the three phases of designing and building the Science Complex. Includes correspondence, newspaper clippings, news releases, negatives, contact sheets, slides, 8 x 10 photographs, and architectural drawings.

Paper submitted for HIST 330W D100, Controversies in Canadian History, Summer 2024.

The fonds includes records of the administration and activities of the Women and Words Society, including minutes, correspondence, financial and payroll records, submissions, fundraising records, documentation of events and its mentorship program.

Fonds consists of records created or accumulated by Gladys Maria Hindmarch, primarily through her activities as a writer. Records document the writing and editing of her books and works of short prose, her other editorial work, and her personal and professional relationships with friends and other writers. Records include correspondence, drafts, manuscripts, notes, journals, published articles and reviews, and research records.

Fonds has been arranged into the following five series: Correspondence (1959-1998), Writings and related records ([ca. 1959]-1994), Notebooks (1962-[ca. 1981]), Works of others ([ca. 1959]-1997), and Personal records ([ca. 1962]-1985).

The records of the John Howard Society of the Lower Mainland of British Columbia consist of the Society's administrative records and client case files and cards used to document information about individual clients. They encompass work done as a provincial society and also as a working office in the Lower Mainland.

The administrative records of the Society document all aspects of the Society's work. They are broken down into three separate series, reflecting the particular manner in which the Society operated. First, a separate series of miscellaneous records which the Society appears to have kept apart from its established file system dates from 1932 to 1988. A second series of administrative records dating from 1932 to about 1968 reflects the Society's file classification plan in use at the time (see Appendix B1 - hard-copy finding aid only). A third group of administrative records reflects a new file classification plan which replaced the earlier file system (see Appendix B2 - hard-copy finding aid only). Administrative records that have accrued to the fonds have been added to this series.

Later records demonstrate the increased activity of the society in addressing the social problems of crime, including victim assistance programs and community assessments, as well as administration of halfway houses.

Individual case files and cards provide evidence of the Society's involvement with clients on probation including repeat or 'habitual' offenders, as well as prison visits, counseling sessions and other related actions undertaken by the Society on behalf of its clients.

Records comprising this fonds are records created at the Vancouver office of the Society, and do not include records created by the various regional offices.

This collection consists of records created, collected and commissioned by Terry Hunter and Savannah Walling co-founders of creative collaboration known as the Vancouver Moving Theatre. The records in this collection document the history of Hunter and Walling’s artistic collaborations beginning in 1978.
Terry Hunter and Savannah Walling Collection consists of visual and audio recordings of performances of the Vancouver Moving Theatre from 1978-2007. It also contains textual records documenting promotional material and publications created to publicize and to review activities of the Vancouver Moving Theatre. These records covering activity period from 1983-2022 include ephemera, excerpts of serial publications, newspaper articles and special publications that document the VMT projects in detail. Part of the textual records contains financial statements of the VMT and educational resources created to aid in development of children and adult art projects. The educational resources were developed over the years and were based on the individual performance prepared by the VMT.

The collection offers insight into the imprisonment of the “Sons of Freedom” between 1932 and 1934 at Piers Island Penitentiary. The “Sons of Freedom” Doukhobors began as a small, radical movement to reinvigorate the faith, restore traditional Doukhobor values, and protest the sale of land, education, citizenship and registration of vital statistics. They would achieve infamy through civil disobedience, nude marches, and burnings. In 1932, over 600 Sons of Freedom protestors were convicted of public nudity. As B.C. Penitentiary was unable to handle such a rise in inmate population, a satellite prison under the authority of B.C. Penitentiary was constructed on Piers Island to house these prisoners. The records document how the prison was set up and run and the problems that the federal prison system encountered regarding both staff and prisoners. The correspondence and telegrams shed light on the internal discussions of senior officials concerning the management of the prison and its prisoners.
Fonds consists of correspondence, memoranda, telegrams, and other textual records pertaining to the Piers Island Penitentiary created or accumulated by H. W. Cooper during his career as the warden of B.C. Penitentiaries. The fonds also contains photographs which were all taken at Piers Island. The textual records predominantly consist of letters to and from H. W. Cooper regarding the penitentiary, staff, and prisoners. The records have been arranged into the following two series: Correspondence and other documents (1932-1934); and Photographs ([between 1932 and 1934]).

Fonds consists of records generated from Al Neil's work as a musician, artist and writer, as well as his personal and family records. These include family photographs, records from Neil's military service, correspondence, documentation of performances, art exhibitions and collages, clippings of interviews and reviews, original manuscripts and drafts, published writings, grant applications, posters, and material related to his and Carole Itter's cabin at Dollarton, North Vancouver, BC.

Fonds has been arranged into the following eight series: Correspondence (1959–2010); Writings (1968–1996); Professional records (1936-2009); Reviews and clippings (1958–2009); Personal records (1940–1994); Photographs ([185-]–[200-]); Videos (1978–2005), and Sound recordings (1976–1987).

The fonds comprises records made or received in the course of administering and carrying out the Women in View Festival's functions and programs. Most of the records originated with the Board or with Festival employees. Activities documented include media promotion of the Festival board; management of the Festival's finances; evolution of the Festival's organizational structure; production of the Festival's newsletter; committee and annual general meetings and retreats; correspondence; and reports . Records include meeting minutes and supporting papers; correspondence; reports; copies of the Festival newsletter; newspaper clippings; photographs and negatives; video cassettes and audio cassettes.

Collection includes artefacts, textual records, and photographs that document labour history in British Columbia, across Canada, and internationally. Types of artefacts include ribbons, membership and memorial pins, dues buttons, delegate badges, and medals. Textual records include copies of collective bargaining agreements, shop cards, and union constitutions and bylaws. These materials document this history of Canadian and international labour organizations, including the International Typographical Union (the earliest to organize in North America), United Auto Workers, bricklayers, painters, metalworkers, and many others.

The collection includes 18 annual diaries written by John Dunlop Reid. These diaries span the years 1887-1897, 1900, 1902-1907, 1912. The collection also includes correspondence among members of the Dunlop Reid family, including John Dunlop Reid, his parents and siblings, his spouse Roberta Reid, her parents, cousins, and friends, John and Roberta's children, Fergus Reid and Kenneth Reid, and their children, grandchildren, other relatives, and friends.

Fonds consists of textual records, including submitted manuscripts, paste-ups, editorial notes, subscriptions, correspondence, and other records related to the periodical (f.)Lip. The fonds has been arranged into the following two series: Editorial files, and Administrative and business files.

Collection comprises photographs, manuscripts, correspondence, ephemera, books and periodical material resulting from and pertaining to the settlement and subsequent history of Doukhobors in Western Canada. Books and periodical items have been catalogued in the SFU Library Catalogue. Digitized images and accompanying descriptions of a portion of the collection are available on the Doukhobor Collection, 1898-1930 website.

Fonds consists of the literary papers, video recordings, slides, posters, promotional material and digital records of Adeena Karasick. Records document her work as a poet and performer, blurring lines between academic discourse and popular culture in the fields of contemporary poetry, poetics and cultural and semiotic theory.

This sous-fonds includes letters authored and received by J. A. Forin between 1926 and 1933, handwritten note, clippings, broadside as well as three publication belonging to Forin that contain his handwritten annotations. All records are in English.

Series consists of analogue and digitized artistic films which are possibly created by Arthur Erickson. Imagery depicted include landscapes, children, architecture, and subjects interacting with each other and their surroundings.

Fonds consists of concert ephemera, posters, promotional material, photographs, correspondence, and audio recordings created and collected by Heather Haley. Records illustrate her involvement in the Vancouver punk scene, including her bands the Zellots, and the 45s. Other notable members from Vancouver punk bands are represented in the photographs and ephemera collected by Haley.

Collection consists of first issues of stamps, postcards, comics and other materials related to Blair Henshaw’s collecting and AIDS-awareness advocacy work. Collection has been arranged into the following five series: Stamps and related records (1988–[before 2002]), Postcards, posters and phone cards (1983–[before 2002]), Exhibition records (1993–1999), AIDS on Stamps project files [199-]–2003 and Correspondence (1993–2002).

Fonds consists of records relating to University ceremonies created by the Office of Ceremonies since 1982, and before that time, by the Registrar's Office and the President's Office. Activities and topics documented include the opening ceremonies for SFU in 1965, convocations, awards ceremonies, building and room openings and dedications, donor recognition events, staff recognition events, installations of presidents and chancellors, university anniversaries, and other special ceremonies.

Records include programs, books of words (order of proceedings), invitations, guest lists, correspondence, notes, press clippings, news releases, publications, photographic material, and other documents.

Series consists of analogue sound recordings of radio interviews, lecture series, news documentaries, and a soundtrack for the Architectural Institute of America awards ceremony. The subject of these motion pictures includes Erickson, the Erickson/Massey Architects firm, and specific buildings and designs by Erickson.

Series consists of analogue and digitized motion pictures depicting Arthur Erickson's family and personal life. Motion pictures are filmed at several Erickson familial residences and largely depict family members socializing as well as children and pets playing together.

Series consists of two pamphlets associated with the Arthur Erickson memorial at Simon Fraser University, which took place on May 20, 2009.

Series consists of analogue and digitized motion picture documentaries, exhibitions, TV programs, news reels, interviews, Architectural Institute of America meetings, and aerial footage. The subject of these motion pictures includes Erickson, the Erickson/Massey Architects firm, and specific buildings and designs by Erickson.

Note that a number of the motion pictures include duplicates stored on different mediums (e.g. Betacam, U-matic, and VHS), so total item numbers do not correspond with total objects.

Fonds consists of moving images, sound recordings, and textual records relating to Arthur Erickson, his achievements, his travels, and his friends and family. Moving images include documentaries; exhibitions; TV programs; Architectural Institute of America meetings; artistic films; and home movies documenting Erickson's travels and family life. Note that a number of the films are duplicates stored on different mediums (e.g. Betacam, U-matic, and VHS). Sound recordings include radio interviews, lecture series, news documentaries, movie soundtracks, and a soundtrack for the Architectural Institute of America awards ceremony. Textual records include two books and two pamphlets.

The fonds has been arranged by the archivist into seven series:

• Travel films (series 1)
• Audiovisual materials related to Arthur Erickson (series 2)
• Published materials related to Arthur Erickson (series 3)
• Memorial pamphlets (series 4)
• Erickson family films (series 5)
• Artistic films (series 6)
• Sound recordings related to Arthur Erickson (series 7)

Series consists of analogue and digitized films created by Erickson during his travels to Afghanistan, Cambodia, China, Ethiopia, Greece, India, Indonesia, Italy, Japan, Mexico, Nepal, Pakistan, and Tanzania. Subjects include local inhabitants, architecture, and wildlife.

Fonds consists of records made or received by Mitch Taylor in the course of his professional activities and business ventures from 1972 to 1992. The records relate primarily to Taylor's co-founding, development and operation of Granville Island Brewing Company Limited in Vancouver, BC from 1981 to April 1989; his time at the brewery in the role of VP Sales and Marketing for Potters Distilling from April 1989 to 1992; and his co-founding of Creekhouse Industries on Granville Island in 1972.

Fonds consists of textual records, graphic materials, photographic materials and artefacts, and is arranged into four series:

• Talks and speeches
• Correspondence
• Press and publicity
• Granville Island Brewing Company Limited records