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Fonds consists of records relating to the personal and academic life of Peter M. Buitenhuis. Activities, topics, and events documented include course planning and instruction; academic conference attendance and presentations; Buitenhuis's research, writing, and publications; his social life and relationships; and his death and memorial.

Records include correspondence; research notes; class and lecture notes; lesson plans, course syllabi, reading lists, and course work; photographs; manuscripts, publications, literary reviews, articles, and newspaper clippings.

Fonds consists of moving images, sound recordings, and textual records relating to Arthur Erickson, his achievements, his travels, and his friends and family. Moving images include documentaries; exhibitions; TV programs; Architectural Institute of America meetings; artistic films; and home movies documenting Erickson's travels and family life. Note that a number of the films are duplicates stored on different mediums (e.g. Betacam, U-matic, and VHS). Sound recordings include radio interviews, lecture series, news documentaries, movie soundtracks, and a soundtrack for the Architectural Institute of America awards ceremony. Textual records include two books and two pamphlets.

The fonds has been arranged by the archivist into seven series:

• Travel films (series 1)
• Audiovisual materials related to Arthur Erickson (series 2)
• Published materials related to Arthur Erickson (series 3)
• Memorial pamphlets (series 4)
• Erickson family films (series 5)
• Artistic films (series 6)
• Sound recordings related to Arthur Erickson (series 7)

Fonds consists of materials documenting mainly the personal life of the Halpern family but also includes some records relating to George's and Fanny's scientific and professional interests. Activities and topics documented include the Halperns' emigration to Canada, George's scientific research and business enterprises, his work with Brock House (a senior citizen's centre), Ida's community interests, and Fanny's medical career in China.

Fonds consists of records created, received and collected in the process of publishing Makara magazine. Records reflect general operation, correspondence, production, and advertising. Includes correspondence, notes, distribution lists, articles, clippings, surveys, manuscripts, lay-out roughs, illustrations, press releases, contracts, promotional material and notes.

Fonds consists of records generated by the Women's Cultural Exchange in the process of establishing the society, finding a location, opening, and using the space to fulfill their mandate to provide a cultural centre for women. Records reflect the incorporation of the society, minutes of meetings, membership, events, and finances. Includes constitution, certificates of incorporation, minutes, agenda, correspondence, membership lists, account book, scrap book, and ephemera.

The fonds consists of records arising from Dunham's teaching and research activities. Includes lecture and research notes, course outlines, exams and study questions, reading lists, reprints, essays and other writing by Dunham, and a few pieces of correspondence regarding Dunham's career and projects.

The collection consists of posters relating to World War I propoganda.

The fonds consists of records relating primarily to Innes’ drawing, painting, and writing. Records include original cartoons, publications containing Innes’ work, a chapbook, exhibit programs and reviews, and images of Innes’ paintings, as well as photographs of Innes, biographical material, and a patent agreement.

The fonds has been arranged into six series: Records relating to Innes’ paintings ([190-?]-1943); Illustrations and cartoons ([between 1880 and 1941]); Publications (1900-[ca. 1934]); Photographs of Innes ([192-?-193-?]); Patent (1 Feb. 1919); and Records relating to Innes created after his death ([1941]-1945).

Item is a postcard featuring an image of a John Innes painting.

Item is a sheet with 3 small pencil sketches. One shows oxen and the other two are rough layout sketches showing trees and mountains with oxen or horses in the foreground.

Item is a newspaper clipping from The Vancouver Sun featuring a photograph of John Innes and a description of his painting “Harding in Canada.”

File consists of an illustrated pamphlet describing a collection of 8 Innes paintings on loan to the University of British Columbia, as well as an affidavit by Innes regarding the status of these paintings.

Item is a notebook tracking discussions and sales of John Innes paintings, as well as strategies for finding prospective buyers.

Item is a program for an exhibit of Innes’ paintings held at David Spencer Limited department store in Vancouver.

Item is a photograph of Innes’ painting “The Builders,” inscribed on the back “To dear Hoppie from Daddy, being a print of the First City Council of Vancouver - with the Civic officials - meeting in June 1886. With love of Ida May Innes my dear wife. John Innes.”

Item is a postcard featuring an image of a John Innes painting, addressed to Mrs. M. Akiyama from Mrs. Innes.

Item is a pen and watercolour sketch of a First Nations canoe being paddled by two people.

Item is a pencil sketch by Innes of a figure sitting next to 2 totem poles with a cityscape in the background. There are notes in the margin about the composition from Innes as well as “George.”

Series consists of a patent agreement filed by Innes and John Linkison King in New York City, for a device to be used in the navigation of ships and airplanes.

The fonds consists of correspondence, manuscripts, photographs, and other material.

The fonds consists of manuscript, galley proofs and published version of Persky's book of poetry, Lives of the French Symbolist Poets (1967).

The fonds consists of correspondence related to the organization of the conference, student journals, transcripts of conference proceedings, and notes of student organizers.

Fonds consists of correspondence with Canadian writers George Bowering, Roy Kiyooka, Daphne Marlatt, and Fred Wah, and of correspondence with David Robinson of Talonbooks.

The fonds consists of manuscripts by contributors to nos. 1-7 of the Resuscitator magazine, with accompanying correspondence. Includes 320 items (approx.) holographs, typescripts, 3 photographs, and 1 linoblock.

Fonds consists of 63 letters and 1 postcard sent by Creeley to Richard Wirtz Emerson of Golden Goose Press, publisher of Creeleys Le Fou (1952); also typescripts of poems, stories and essays sent with the letters.

Series consists of print works on paper, photographic documentation, paintings, drawings and linocuts used in the preparation of artworks and chapbooks. Series is divided into the following four sub-series: Works on paper (1996–2005), Linocuts [before 2009], Photographs documenting artworks (1991–[before 2009]), and Artworks by others (2002–[before 2013]).

Series consists of notebooks, sketchbooks and daytimers used by Derek Beaulieu. Books contain sketches, notes, itineraries, lists and other material.

Fonds consists of the literary papers of author Keith Harrison. Records include research materials, correspondence, manuscripts, reviews, working notes, and contracts.

Fonds consists of master videotapes and notes from two film projects: documentary portraits of Gerry Gilbert (The Big Break), taped in 1988, and Voice: Roy Kiyooka, taped in 1991.

Fonds consists of research and moving image records generated and used in the production of the documentary REED: the life and works of Roy Kiyooka, produced and directed by Fumiko Kiyooka.