Fonds MsC-53 - Patricia Joan Ludwick fonds

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Title proper

Patricia Joan Ludwick fonds

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  • Multi-media

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Fonds

Reference code

MsC-53

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Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

  • ca. 1964-2021 (Creation)
    Creator
    Ludwick, Patricia Joan

Physical description area

Physical description

137.5 cm of textual records and other material

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Archival description area

Name of creator

(1945-2021)

Biographical history

Patricia Joan Ludwick—or Patsy, to her friends and family—was an actor, playwright and poet. Born in Vancouver in 1947, the eldest of seven children, she grew up in various small towns on Vancouver Island. As a teenager, she discovered a passion for acting when she landed her first role in a community theatre production of Arthur Miller’s "The Crucible." In 1966 she moved to the United Kingdom, where until 1969 she attended the London Academy of Music and Dramatic Arts.

Returning to Canada, Ludwick spent the next decade working as an actor in professional theatre in various locales across Nova Scotia and Ontario. Although she performed in a variety of plays, her choice of roles exhibited a penchant for original Canadian pieces. This was intentional, as early in her acting career Ludwick realized that “if a strong base of audience support were to be created for live theatre in Canada, it would be necessary to give the public plays that related directly to their experience of life in this country.” In this vein, perhaps her most notable work was as Mrs. Donnelly in James Reaney’s "The Donnellys Trilogy," mounted by the NDWT and Tarragon theatre companies from 1973 to 1975.

In 1979 Ludwick moved to Vancouver, where she began writing her own plays. The first of these, "Alone," was staged by the New Play Centre in 1983. Although Ludwick continued to act (often performing in her own work), writing became her primary focus, and she wrote many pieces throughout the 1980s and 1990s which were performed mainly in festivals. Ludwick was a founding member of the Women in View Festival, which was conceived in 1986 in order to showcase women’s work in theatre.

In 1989 Ludwick moved to Gabriola Island. There she purchased a half-acre plot of undeveloped land and, drawing from the knowledge base of the local community, learned the skills to build her own house. Gabriola Island would remain her beloved home for the rest of her life.

Ludwick continued to create art into the 1990s and 2000s. In addition to writing for and performing in live theatre, she also wrote radio plays, television screenplays, and poetry, and prose, and contributed review work and personal essays for theatrical journals. She worked variously as a script doctor, editor, and librarian, and taught creative writing at such institutions as the University of British Columbia and Malaspina College (now Vancouver Island University).

Ludwick was an active member of her community on Gabriola. A lover of nature and animals, she fostered many cats through Cats Alive, a local animal welfare organization. She also helped to found the Gabriola Tool Library. And she contributed to her local arts scene: she started a womens’ writers group, mounted performances and created art installations, and wrote poetry inspired by Gabriola’s natural environment. These poems, many of them originally written as gifts to friends, were ultimately compiled into a self-published volume, "A Sense of Place: Seasons on Gabriola," shortly before her death.

In 2019 Ludwick was diagnosed with ALS. Choosing an assisted death, she died on May 15th, 2021 in the comfort of her home, supported by her friends and neighbours.

Custodial history

Records were in Ludwick's custody prior to their accession by SFU Special Collections in 2021. In preparation for this accession, Ludwick organized her records with the assistance of her longtime friend and literary executor, Jane Heyman.

Scope and content

Fonds consists chiefly of records relating to Ludwick’s work as a creator of various art forms. The records have been arranged into series according to these different forms, such as those relating to her work as a writer of live theatre, radio plays, poetry, and prose. While the archivist has categorized the records in this way in order to assist discovery, it should be noted that Ludwick’s art reached across the boundaries between disciplines: many of her plays, for instance, incorporate dance and choreography in order to convey meaning. Other series include records related to art installations that Ludwick created, as well as records supporting her role as a teacher, and assorted biographical records. A final series has been created which encompasses the audiovisual materials in Ludwick’s fonds: these are primarily tape or video recordings of rehearsals, live performances and broadcasts.

Notes area

Physical condition

Immediate source of acquisition

Arrangement

The fonds was originally donated in thirteen boxes of various sizes along with rudimentary file lists. Upon accession, SFU Special Collections and Rare Books condensed the contents into five bankers boxes as a provisional storage measure. On processing Ludwick's records, the archivist transferred them into fourteen standard archival boxes.

With few exceptions, the records have been kept in the same physical order as they were received. However, the intellectual order as it appears in this finding aid is largely a result of the archivist's own work. While Ludwick had organized many of her files according to generic categories (poetry, teaching notes and resources, radio plays and television plays), the brunt of her playwriting records had been organized according to project and spread out over a number of boxes. The archivist decided to unite these intellectually within a larger "Plays" series. Additionally, other files were organized under the title "miscellaneous records" and "various projects." In order to assist with discovery, the archivist decided to arrange these files according to the art form to which they broadly belong. In order to encompass Ludwick’s creative non-fiction and journalism work, the archivist created a “Prose” series, and a "Biographical Records" series was also added. Other files relating to art installations and projects mounted on Ludwick's home community of Gabriola Island were arranged under another series designated by the archivist as “Community projects/art installations.” Finally, since Ludwick had mostly kept her audio-visual materials separately, an "Audiovisual records" series was created which represents these records.

Language of material

  • English

Script of material

    Location of originals

    Availability of other formats

    Restrictions on access

    Access to some information is restricted for privacy reasons. See file-level descriptions for details. Please contact special collections staff or scrb@sfu.ca for assistance.

    Terms governing use, reproduction, and publication

    Finding aids

    Associated materials

    For published materials associated with Patricia Ludwick's fonds (e.g. books and journals in which her work has been published) please search "MsC-53" and "Patricia Joan Ludwick" in the SFU library catalogue. https://www.lib.sfu.ca/

    Related materials

    Accruals

    General note

    Includes 81 negatives, 77 b & w photographs, 4 colour photographs, 24 audio cassettes, 20 drawings, 6 VHS tapes, 2 ¼ inch reel-to-reel audio tapes, and 2 cd-rs, and 1 painting.

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    Rules for Archival Description

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    Published

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    Dates of creation, revision and deletion

    Arranged and described by Jack Dempster (December 2024)

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      Script of description

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